The glass bottom boat of the cultural press
Classic Jesus Lizard’s great, but Mac McNeilly’s departure as drummer has only served to reinvigorate JL since Shot. Jesus Lizard seems more comfortable than ever in their distinctive niche as an band on a “major.” They’ve polished things up considerably over the past decade, and even Yow seems somewhat hesitant to slur his vocals as much as before. In an era of “disposable” bands, only a band with a sound as indestructible as the Jesus Lizard can survive.
40 years on, Michael Gira and Swans continue to bring a ritualistic experience that needs to be heard in order to be believed. Featured photo by Reese Cann.
The biggest astronomical event of the decade coincides with a long overdue trip to Austin, Texas.
Sofia and Louise have just graduated nursing school. They have no idea what they’ve signed up for.
At the Showcase: Live in Chicago 1976/1977 (Jazz Detective). Review by Bob Pomeroy.
Atlantis Lullaby: The Concert in Avignon (Elemental Music). Review by Bob Pomeroy.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
