The Firesign Theatre

The Firesign Theatre

Give Me Immortality or Give Me Death

Rhino

Maybe it’s the generation gap. Maybe it’s simply been a long time. Or maybe the Firesign Theatre comedy troupe’s first recording in 20 years, Give Me Immortality or Give Me Death, simply isn’t funny.

I remember laughing at my dad’s collection of Bill Cosby and Tom Lehrer albums when I was kid, which is round about the time the Firesign Theatre first started its parodying ways. And I enjoy a good comedy album just like the next guy, going through childhood and young adulthood by laughing my ass off to albums by George Carlin, Rodney Dangerfield, and yes, even bits of Jerry Seinfeld’s recent debut CD. And I love Monty Python, to whom this group is often compared. Well, guess what, it just ain’t funny.

Firesign bills itself as RadioNow, “the station so up-to-the-minute that its format changes every commercial break” — an obvious nod to the further compression of popular culture. The broadcast is set on Dec. 31, 1999 (apocalypse alert!), complete with DJ Bebop struggling with constant format changes, sportscaster Chump Threads, and co-anchors Ray Hamberger and Harold Hiphugger struggling through a slow news day. I wish I could even give you examples of the Firesign’s humor so you can be the judge, but I’m afraid it’s you-had-to-NOT-be-there to appreciate it. What we have here is failure to communicate in any humorous way.

Not that their insight isn’t accurate, parodying stalkers, self-help, the treatment of the homeless, and cult of personality. Great. Now where’s the laughs?

If you want good radio parody, see if Harry Shearer’s Le Show is appearing on your local NPR station. This Firesign Theatre is going down in flames. Rhino Records, 10635 Santa Monica Blvd., Los Angeles, CA 90025; http://www.rhino.com

Leave a Comment

Your email address will not be published. Required fields are marked with *

Cancel reply

Recently on Ink 19...

  • Various Artists
    Various Artists

    First Class Rock Steady (17 North Parade, VP Records). Review by Generoso Fierro.

  • Vomitface
    Vomitface

    Hooray For Me (Help Yourself Records). Review by Jen Cray.

  • Sweet Crude
    Sweet Crude

    Sweet Crude brought a bit of New Orleans to Tampa. Bob Pomeroy catches up with the group.

  • Butch Walker
    Butch Walker

    Stay Gold (Dangerbird Records). Review by Andrew Ellis.

  • Belly
    Belly

    Belly brought lot of grit and a touch of grace to the Bowery Ballroom in NYC.

  • Pickathon 2016
    Pickathon 2016

    Pendarvis Farms transforms for three extraordinary days into the fun and psychedelic fest of your wildest indie music loving dreams, Pickathon. Alexa Harris was there to experience the joys of farm life for the weekend.

  • Money Chicha
    Money Chicha

    Echo En Mexico (Vampisoul). Review by James Mann.

  • Micronotz reissues
    Micronotz reissues

    Mortal Micronotz, Smash, Live, The Beast that Devoured Itself, 40 Fingers (Bar/None). Review by Scott Adams.

  • Big Eyes
    Big Eyes

    Stake My Claim (Don Giovanni Records). Review by Jen Cray.

  • Various Artists
    Various Artists

    Money Maker (Studio One). Review by Bob Pomeroy.

From the Archives