The Vampire Gallery: A Who’s Who of the Undead

The Vampire Gallery: A Who’s Who of the Undead

by J. Gordon Melton

Visible Ink Press

One of the coolest gifts I got for my birthday (besides the two-headed dragon incense burner and the purple velvet bra that I simply cannot stop looking at myself in) is a book called The Vampire Gallery: A Who’s Who of the Undead, by J. Gordon Melton (Visible Ink Press, $19.95). I was so excited to receive this book, I couldn’t stop shrieking and bouncing on the bed for a few hours after opening the box. The only thing I love more than vampires is… well… I just don’t know. While I’d never do anything as cheesy as wearing fake fangs or changing my name to Morticia Nightshade or something, this Big Book of the Undead is yanking my chain big time. I love the undead! Woo hoo!

The Vampire Gallery is, in fact, the consummate reference manual of Blood Drinkers, Hellraisers, and things that go bump in the night. Written by the same genius who gave us The Vampire Book: Encyclopedia of the Undead , which featured a comprehensive detailing of vampire facts such as terms, places, organizations, and other topical Vampire-related wisdom, The Vampire Gallery is just crammed with spellbinding biographies of Vampires, all of them — from the obscure to the legendary — it’s amazing! Barnabus Collins, resident fanged-one of the gothic soap opera, Dark Shadows : He’s in here. Miriam Blaylock, goddess of the undead featured in the greatest Vampire movie ever made, The Hunger : In here. Martin, geeky teenage Nosferatu of George Romero’s film of the same name: see page 275-277. Even the most played-out vampires (Lestat and Louis from Ann Rice’s novels) get their glory day on the pages of Melton’s exciting and ultimately thoroughgoing Bible of neck biters. Melton even explores the hypothesis that Batman, one of the most famous comic book characters of all time, is based on vampire legend. If you’re somebody who never gets tired of reading about Dracula, I’ll tell you right now, this book is to die for.

Visible Ink Press, 835 Penobscot Bldg., 645 Griswold St., Detroit, MI 48226

Leave a Comment

Your email address will not be published. Required fields are marked with *

Cancel reply

Recently on Ink 19...

  • Gregg Allman, RIP
    Gregg Allman, RIP

    Michelle Wilson gives tribute to the voice of an angel. Gregg Allman, RIP.

  • Preservation Hall Jazz Band
    Preservation Hall Jazz Band

    So It Is (Legacy). Review by Bob Pomeroy.

  • From Montenegro to Moldova: The Best of SEEFest 2017
    From Montenegro to Moldova: The Best of SEEFest 2017

    For the twelfth year, the South East European Film Festival (SEEfest) in Los Angeles showcased an impressive lineup of new features and shorts. Lily and Generoso Fierro provide a festival wrap up and their picks for the films that you cannot miss.

  • Justin Townes Earle
    Justin Townes Earle

    Kids In The Street (New West Records). Review by James Mann.

  • Christian Scott
    Christian Scott

    Rebel Ruler (Ropeadope / Stretch Music). Review by Bob Pomeroy.

  • Kivanç Sezer
    Kivanç Sezer

    Turkish director Kivanç Sezer’s powerful debut feature, My Father’s Wings, puts the spotlight on the workplace safety crisis that is currently taking place in his homeland. Lily and Generoso Fierro spoke with Sezer at SEEFest 2017 about his film and his need to draw attention to this issue.

  • Temples
    Temples

    Supporting their just-released sophomore record, UK synth-pop poster boys, Temples, attracted an SRO crowd to one of Orlando’s premier nightspots.

  • Rat Film
    Rat Film

    Baltimore. Rats. A match made in Maryland.

  • Bishop Briggs
    Bishop Briggs

    Bishop Briggs brings a stacked bill of up and comers to Orlando for a sold-out party at The Social. Jen Cray joins in the fun.

  • Rumble: The Indians Who Rocked The World
    Rumble: The Indians Who Rocked The World

    There’s more than black music influencing the evolution of Rock and Roll. Native American rhymes and ideas are every bit as significant, once you know to look for them.

From the Archives