Music Reviews

“lights_of_euphoria”

Lights of Euphoria

Voices

Metropolis

A friend of mine said to me, “Check out the new Lights Of Euphoria, they’re good now.” Well, I kinda thought I liked the last disc, Blood Brothers , and I assumed he was simply basing his statement on the fact that they had left Cleopatra Records (along with just about everyone else) and gotten themselves on the infamous, much-sought-after, Metropolis label.

After hearing Voices (the name of the disc, not real voices … not that night, anyhow), I must admit that my friend was right. This is a far superior release. Is it that Metropolis brings out the best in bands? It is hard-hitting, dance-friendly, electro-industry, with quicker beats, catchier tunes, and less growly vocals than on Blood Brothers . Nearly all the tracks are noteworthy, but “Sunday Drive” is bound to be a favorite, and ought to be in the clubs, if it ain’t. “In Love With the Night”, the terrific opening track is given a thorough once over by Funker Vogt near the end of the disc. It truly is a sophomore triumph. The question for the month is, “when will Metropolis release something that really sucks?”

Metropolis Records, P.O. Box 54307, Philadelphia, PA 19105; http://www.metropolis-records.com


Recently on Ink 19...

Dark Water

Dark Water

Screen Reviews

J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.

The Shootist

The Shootist

Screen Reviews

John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.