The glass bottom boat of the cultural press
Brita’s self-titled album should be a showcase for her sizable vocal talents. On the first track, “Do You Want Me,” it succeeds. Even though there are a number of obvious nods to recent Madonna records, Brita’s vocal stylings help it to rise above just a Madonna wannabe. Unfortunately, the rest of the album is irredeemably dull. With some more energy, the record might have been salvaged.
40 years on, Michael Gira and Swans continue to bring a ritualistic experience that needs to be heard in order to be believed. Featured photo by Reese Cann.
The biggest astronomical event of the decade coincides with a long overdue trip to Austin, Texas.
Sofia and Louise have just graduated nursing school. They have no idea what they’ve signed up for.
At the Showcase: Live in Chicago 1976/1977 (Jazz Detective). Review by Bob Pomeroy.
Atlantis Lullaby: The Concert in Avignon (Elemental Music). Review by Bob Pomeroy.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
