Bermuda Triangle

Catalyst Entertainment

What we have here is another example of Buckethead’s guitar nomad working methods; it’s an audio sketchbook of metallic doodles. This has been a busy year for the Michael Meyers/Jimi Hendrix hybrid. Aside from a fascinating performance at the MTV Video Music Awards where he wowed the masses with his nunchuka skill, a brief comeback tour with Guns N’ Roses, freaking out a curious celebrity media and Chris Rock (why won’t he take his mask off?), he’s also been very busy with his own projects, this being one of many for 2002. Loosely, a concept album of instrumentals based around the lore of the Bermuda Triangle, Bermuda Triangle is more to the point an almost accessible industrial dance record. Weird.

Collaborating with programmer Extrakd, Buckethead swoops and grinds over a series of hard-edged mechanical grooves that, at times, does recall the sinister blue void of Der Triangle. “Mausoleum Door” has a backbeat that is damn heavy, calling to mind BDP or Wu Tang Clan, with Buckethead dropping in super-grungy riffs or gentle teardrop solo notes. “Bionic Fog” is like Massive Attack trapped in a bathysphere. “Beestro Fowler” sounds like a funk band that’s on the comedown after jamming for twelve hours straight. “Whatevas” is guided along by a fucking smoking guitar hero solo that manages a pretty high amount of intuition over technique. “Isle Of Dead” begins with a sample of a woman asking, “Don’t you ever take off that mask,” and segues into a pretty disturbing post-trip hop headfuck. Almost club- or dub-worthy! This record is way fucking more than just guitar pyrotechnics. The point is, guys who won’t take their masks off, obsess over the refuse of popular culture, and live in chicken coops can still drive shivs through the fingers of other guitarists effortlessly. It could be you.

Buckethead: http://www.bucketheadtoystore.com

Leave a Comment

Your email address will not be published. Required fields are marked with *

Cancel reply

Recently on Ink 19...

  • Geezër

    Geezër brought their old-school show all the way from their Miami rest home, and Julius C. Lacking thinks they were quite spry.

  • Bully

    Bully greets Orlando with apathy and anger toward one of its theme parks. Jen Cray smiles and thinks, “Man, this band would have fit in well in the nineties!”

  • Luther Dickinson
    Luther Dickinson

    Blues & Ballads: A Folksinger’s Songbook: Volumes I & II (New West Records). Review by James Mann.

  • Conway

    Big Talk EP (Self-Released). Review by Jen Cray.

  • Freakwater

    Scheherazade (Bloodshot Records). Review by James Mann.

  • The Haymarket Squares
    The Haymarket Squares

    Light It Up. Review by Carl F Gauze.

  • Ani DiFranco
    Ani DiFranco

    Years pass, and so do our legends, but one constant remains: there are always artists living and breathing that are worth your time and attention. Ani DiFranco is a major one, according to Jen Cray and a whole legion of fans.

  • Javier Escovedo
    Javier Escovedo

    Kicked Out Of Eden (Saustex Media). Review by James Mann.

  • Eszter Balint
    Eszter Balint

    Airless Midnight (Red Herring). Review by Bob Pomeroy.

  • Arthur Lee and Love
    Arthur Lee and Love

    Real to Reel (High Moon Records). Review by Al Pergande.

From the Archives