The Heavy

The Heavy

The Heavy

with The Skins

Irving Plaza, New York City • 8/30/12

Flashback almost two years ago when a car commercial propelled English band The Heavy into the spotlight with the song “How You Like Me Now,” a phrase that became a bold mantra for any display of badassdom and played in multiple commercials, sports events, and even in some political campaign events.

The Heavy

May Terry
The Heavy

Now, on tour across the U.S. to promote the recent release of their latest album, The Glorious Dead, The Heavy have come back with prevailing force. After seeing their recent concert at Irving Plaza, NYC, yes, there is plenty of reason to still like them now.

The Skins Bayli Mckeithan (vocals) and Russell Chell (guitar)

May Terry
The Skins Bayli Mckeithan (vocals) and Russell Chell (guitar)

Brooklyn-based band The Skins opened the event for The Heavy, and the promoters were spot-on in pairing these two together. The Skins’ set amped up the crowd with their high-voltage Afropunk blend of metal, hip-hop, and soul, thanks to their very talented female lead vocalist, Bayli Mckeithan. Her powerful vocal style mimics a female version of Corey Glover in Living Colour’s harder songs like “Cult of Personality.”

The band is very young, but their heavy rocking rhythm section and sharp guitar solos, held together with such a powerful voice, is brimming with promise. I’ll be watching these guys real close as they develop a growing fan base.

Kevin Swaby (vocals) and Dan Taylor (guitar)

May Terry
Kevin Swaby (vocals) and Dan Taylor (guitar)

The Heavy went on at 9:45 pm with a musical entourage that basically filled the entire stage. The Heavy’s core band is the foursome of Kelvin Swaby (lead vocals), Dan Taylor (guitar), Spencer Page (bass), and Chris Ellul (drums). Added for this tour were a keyboardist, three backup horns, and three backup soul singers pulled from the gospel choir that contributed to the band’s album during its recording in Columbus, Georgia. This entourage was a necessity for their musical style of R&B and funk with a heavy rock beat that, true to their name, adds quite a bit of weight to their songs. I can think of many bands with varying degrees of this blend today, but The Heavy do stand out on their own with Kelvin Swaby, their overpoweringly engaging and enigmatic lead vocalist.

Kelvin revs up the crowd

May Terry
Kelvin revs up the crowd

Kelvin has a very James Brown style of interaction, soliciting high levels of audience participation throughout many of the songs for much of the set. Because he’s incredibly charismatic, even the least inclined to be roped into call-and-response songs cannot help but be sucked into the celebratory experience.

While many of the songs were from their breakout album, The House That Dirt Built, about half of the set drew from The Glorious Dead. That’s a pretty bold move for a set list since The Heavy already had two previous albums worth of material. The Heavy, however, pulled this off very well, again largely because Kelvin’s way of sucking you into the moment. Kelvin’s barker-style of interaction in between each song went from anywhere from asking for a simple approval after “Can’t Play Dead,” to teaching the audience to sing the catchy but simple phrases of unfamiliar songs like “Same Ol'” and “Curse Me Good,” all songs from The Glorious Dead. The audience, diverse in both race and age, willingly soaked it all up, not caring whether they looked R&B-awkward in their timing for rhythm or soulful singing. Everyone was shamelessly having a great time.

May Terry

Moreover, the music from The Glorious Dead is just damn good. “Big Bad Wolf,” which was previously on the movie soundtrack to The Losers, made this album. One of most moving songs from the album, “Blood Dirt Love Stop,” brought out an emotional intensity not unlike the way the great Motown singer Marvin Gaye did back in the ’60s. No wonder this band is going all-out on this tour. They’ve got a great album to back it up.

After the band finished their 13-song set, the audience’s call for an encore was so loud in the room that the ground rumbling from all the feet stomping in the room could have registered a five on the Richter scale. The Heavy returned onstage five minutes later with “Girl,” from their first album, Great Vengeance And Furious Fire. The “Girl” riff not only sounded like The Kinks, but overtly led into an improvisation of “All Day and All of the Night” towards the end of the song.

May Terry

Kelvin then wrapped up the performance by bringing The Skins back on stage to join him for their chart-topper hit, “How You Like Me Now?” which had audience on the ground floor jumping up and down through the chorus in a way that I haven’t seen since a House of Pain concert.

While I’m normally not one for attending concerts where band members bait crowds to participate, for this night, I couldn’t help myself. And I’m glad I did. So if you’re looking a great time filled with unabashedly good music and unfettered singing and dancing, then look no further. By the way, if you do attend and feel the ground shaking, it’s not an earthquake — The Heavy’s just about to bring the house down.

The Heavy:

Leave a Comment

Your email address will not be published. Required fields are marked with *

Cancel reply

Recently on Ink 19...

  • Butch Walker
    Butch Walker

    Stay Gold (Dangerbird Records). Review by Andrew Ellis.

  • Belly

    Belly brought lot of grit and a touch of grace to the Bowery Ballroom in NYC.

  • Pickathon 2016
    Pickathon 2016

    Pendarvis Farms transforms for three extraordinary days into the fun and psychedelic fest of your wildest indie music loving dreams, Pickathon. Alexa Harris was there to experience the joys of farm life for the weekend.

  • Money Chicha
    Money Chicha

    Echo En Mexico (Vampisoul). Review by James Mann.

  • Micronotz reissues
    Micronotz reissues

    Mortal Micronotz, Smash, Live, The Beast that Devoured Itself, 40 Fingers (Bar/None). Review by Scott Adams.

  • Big Eyes
    Big Eyes

    Stake My Claim (Don Giovanni Records). Review by Jen Cray.

  • Various Artists
    Various Artists

    Money Maker (Studio One). Review by Bob Pomeroy.

  • Pawns

    A triple bill of underground Goth, led by NYC’s Pawns, transforms Uncle Lou’s into a time machine. Jen Cray did not wear eye makeup, but she did wear a black shirt to the show.

  • Bossacucanova

    The Best of Bossacucanova (Six Degrees Records). Review by James Mann.

  • Ranch Ghost
    Ranch Ghost

    Lookin’ (Rough Beast Records). Review by Jen Cray.

From the Archives