1991-06-sm-antiqueWhere we came from

The original idea was for a public access cable television show where strange music happened. The program was to be called Room 19, and would be accompanied by a monthly printed program guide, entitled (you guessed it) Ink 19. While the video show never got off the ground, Ink 19 did, and in June of 1991, the first issue was published.

Five thousand copies of that initial issue (pictured at right) were distributed throughout Central Florida, from our home base in Melbourne (a growing community on Florida’s Space Coast, so-called for being home to Kennedy Space Center and many workers and related industries) all the way to Orlando, an hour and a half to the west. As time went by, more cities and outlets fell under our sway. In late 1993, we entered the Tampa metropolitan market. By 1995, we’d added Atlanta to our growing territory, and in late 1997, Miami and South Florida came under our influence. Additionally, we launched this Web site, http://ink19.com, in 1997, putting a global audience just a mouse-click away.

Ink 19 has been in publication for almost a quarter of a century, and we’ve no intention of going away now. To the contrary, we’re constantly seeking new opportunities to expand our coverage and to continue to offer the most exciting, entertaining, diverse, and honest music publication around.

Who we’ve covered

Over the course of our history, we’ve covered an incredibly diverse range of music in stunning volume. In the last year alone, over 200 bands have been covered in our Ink Spots and Live Ink sections, and well over 1500 new records have been reviewed in our Wet Ink section. No other regional publication (and indeed, few national publications) can match our diversity and sheer quantity of coverage.

To give you an idea of just how diverse we are, in the past year alone, we’ve covered (in interviews and/or live reviews) legendary artists like the Pretty Things, Blondie, and Cheap Trick, modern rock stars like Stone Temple Pilots and Ben Folds Five, metal heroes such as Type O Negative and GWAR, ska from Pilfers and Skavoovie & the Epitones, rockabilly from Mike Ness, indie-rock giants like Guided By Voices and Sleater-Kinney, punk from the likes of the Misfits and Bouncing Souls, insurgent country with the Blacks and Alejandro Escovedo, emo from Jets To Brazil and Sunny Day Real Estate, hip hop from Kool Keith and Public Enemy, reggae from Toots & the Maytals, goth from Black Tape From a Blue Girl and Voltaire, industrial from Ministry and Meat Beat Manifesto, electronica from Moby and Orbital, humorous stuff from Mojo Nixon and “Weird Al” Yankovic, swing from the Count Basie Orchestra to the Brian Setzer Orchestra, innovators like the Art of Noise and Atari Teenage Riot, alt-radio favorites like Afghan Whigs and Cake, and so much more.

Additionally, Ink 19 always has its eye on emerging artists from the Southeast scene, and we’ve helped bring many such acts, including Marvelous 3, Less Than Jake, the Mercury Program, Underwater, Jucifer, the Causey Way, and Hot Water Music, to the attention of a wider audience.


Recently on Ink 19...

  • Preservation Hall Jazz Band
    Preservation Hall Jazz Band

    So It Is (Legacy). Review by Bob Pomeroy.

  • From Montenegro to Moldova: The Best of SEEFest 2017
    From Montenegro to Moldova: The Best of SEEFest 2017

    For the twelfth year, the South East European Film Festival (SEEfest) in Los Angeles showcased an impressive lineup of new features and shorts. Lily and Generoso Fierro provide a festival wrap up and their picks for the films that you cannot miss.

  • Justin Townes Earle
    Justin Townes Earle

    Kids In The Street (New West Records). Review by James Mann.

  • Christian Scott
    Christian Scott

    Rebel Ruler (Ropeadope / Stretch Music). Review by Bob Pomeroy.

  • Kivanç Sezer
    Kivanç Sezer

    Turkish director Kivanç Sezer’s powerful debut feature, My Father’s Wings, puts the spotlight on the workplace safety crisis that is currently taking place in his homeland. Lily and Generoso Fierro spoke with Sezer at SEEFest 2017 about his film and his need to draw attention to this issue.

  • Temples
    Temples

    Supporting their just-released sophomore record, UK synth-pop poster boys, Temples, attracted an SRO crowd to one of Orlando’s premier nightspots.

  • Rat Film
    Rat Film

    Baltimore. Rats. A match made in Maryland.

  • Bishop Briggs
    Bishop Briggs

    Bishop Briggs brings a stacked bill of up and comers to Orlando for a sold-out party at The Social. Jen Cray joins in the fun.

  • Rumble: The Indians Who Rocked The World
    Rumble: The Indians Who Rocked The World

    There’s more than black music influencing the evolution of Rock and Roll. Native American rhymes and ideas are every bit as significant, once you know to look for them.

  • Keith Morris
    Keith Morris

    Ink 19 slings a few questions to the punk rock pioneer Keith Morris on Trump, Calexit and looking back.