Slowdive
Steven Cruse uncovers the many layers of Slowdive, unfolded finally at Cervantes’ Masterpiece Ballroom in Denver on a memorable fall day.
Music, media, and thought from the Ink 19 editorial team
Steven Cruse uncovers the many layers of Slowdive, unfolded finally at Cervantes’ Masterpiece Ballroom in Denver on a memorable fall day.
Devil Songs and Other Such Nonsense . Review by Christopher Long.
After Destruction (Cleopatra Records). Review by Christopher Long.
Poet E. D. Evans collects her recent work in this sometimes sad, sometimes funny collection of poems and ballads, Time for My Generation to Die.
Staff writer Christopher Long wedges his way into a private after-show soirée with reigning British pop-rock princess Lauran Hibberd. In the process, the 25-year-old singer songwriter reveals her passion for pop music, Disaronno, and Taco Bell.
Founding member of The Cure Lol Tolhurst takes readers on a very personal tour of the people, places, and events that made goth an enduring movement and vital subculture, in GOTH: A History. Bob Pomeroy reviews.
Small-town Grand Junction, Colorado, comes out in droves to Slamming Bricks 2023, as our beloved queer community event eclipses its beginnings to command its largest audience yet. Liz Weiss reviews the performance, a bittersweet farewell both to and from the Grand Valley’s most mouthy rebel organizer, Caleb Ferganchick.
Night Birds (Robalo Music). Review by Bob Pomeroy.
Carl F. Gauze reviews Dreamers Never Die, the loving documentary on the career of rocker extraordinaire Ronnie James Dio.
Tomorrow Never Comes (Epitaph). Review by Steven Cruse.
Spunky (Kill Rock Stars). Review by Bob Pomeroy.
Cape Verdean Blues (Folkalist Records). Review by Bob Pomeroy.
Starting with small-time jobs, two gangsters take over all the crime in Marseilles in this well-paced and entertaining French film. Carl F. Gauze reviews the freshly released Arrow Video Blu-ray edition of Borsalino (1970).
Aaron Tanner delivers 400 pages of visual delights from the ever-enigmatic band, The Residents, in The Residents Visual History Book: A Sight for Sore Eyes, Vol. 2.
Two teenage boys build a sexy computer girlfriend with an 8-bit computer… you know the story. Carl F. Gauze reviews Weird Science (1985), in a new 4K UHD Blu-ray release from Arrow Films.
Cauldron Films’ new UHD/Blu-ray release of Lucio Fulci’s City of the Living Dead (1980) preserves one of the best Italian horror films, according to Phil Bailey.
Ghost of Vroom 3 (Mod y Vi). Review by Judy Craddock.
Dream In Dream (Warner Music Japan). Review by Steven Cruse.
Inuktitut (Bonsound). Review by Bob Pomeroy.
Marleen Gorris’s first theatrical feature is a potent feminist look at the easily disposable lives of sex workers in Amsterdam. Phil Bailey reviews Broken Mirrors.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.
Rad Brown and Buffalo Stille (Nappy Roots) premiere their second single from forthcoming LP Upper Crust Confections, “Only Love,” today at Ink 19.