Marcus Roberts
The Joy of Joplin (Sony Classical). Review by David Lee Simmons
Music, media, and thought from the Ink 19 editorial team
The Joy of Joplin (Sony Classical). Review by David Lee Simmons
How We Quit the Forest (Columbia). Review by Phil Bailey
Killing You With Rock (September Gurls). Review by David Lee Beowülf
Faith/Far Away (Dark Horse). Review by David Lee Beowülf
Feature
The Singles (Mercury/Chronicles). Review by Gail Worley
When Satan Lives (Roadrunner). Review by David Lee Beowülf
Darkskies (Metropolis). Review by Jorge C. Galban
from the Alan Lomax Collection (Rounder). Review by Anton Wagner
Gear Review by Edward Tywoniak
The Age of Mastery (Century Media). Review by Ed Furniture
Queens of the Stone Age (Loosegroove). Review by Kurt Channing
New Music With Old Chords (Good Country People). Review by Julio Diaz
LP5 (Warp/Nothing). Review by drew West
If You’re Into It, I’m Out Of It (Digital Hardcore/Grand Royal). Review by Matthew Moyer
No Security (Virgin). Review by David Lee Beowülf
Event Review by Brent Dey
Interview by Charles D.J. Deppner
Gear Review by Edward Tywoniak
Gogitchyershinebox (Watermelon). Review by James Mann
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.