Malcolm Middleton
A Brighter Beat (Full Time Hobby). Review by Aaron Shaul.
A Brighter Beat (Full Time Hobby). Review by Aaron Shaul.
Music magazines are one of Matthew Moyer’s ten favorite sublime pleasures in life (write in for a list of the other nine). But, at present, his magazine-buying situation had grown pretty grim–until Copper Press saved him from the horror of Rolling Stone. Turn it up, bring the noise.
I’ll Take It (Arena Rock). Review by Matthew Moyer.
5:14 Fluoxytine Seagull Alcohol John Nicotine (Chemikal Underground). Review by Stein Haukland.
Offcell (Absolutely Kosher Records). Review by Margie Libling.
A mind-blowing performance that put the audience on an emotional rollercoaster from the very first note… and that has Margie Libling lining up amongst Conor Oberst’s many suitors.
Hate (Mantra Recordings). Review by Rob Walsh.
Water Hymns (Killdeer). Review by Rob Walsh.
Son of Evil Reindeer (Pias America / Bright Star). Review by Matt Cibula.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.