The glass bottom boat of the cultural press
This week, Christopher Long travels with the GF to a used record joint down in Vero Beach, Florida, and discovers a TRUE gem in a Dollar Box: a MINT-condition vinyl copy of The Rose, the platinum-selling 1979 movie soundtrack album from Bette Midler.
To commemorate the 20th installment of his weekly series, Ink 19’s Christopher Long revisits one of his all-time favorite records, Anything Is Possible, the sparkling 1990 studio set from Debbie Gibson.
Savvy shopper Christopher Long scores a dodgy-looking copy of the Crosby, Stills, Nash & Young classic, Déjà Vu, on fairly decent-sounding vinyl — for just 50¢.
99 Cents (Atlantic Records). Review by Jen Cray.
Gold Medal (Atlantic Records). Review by Andrew Ellis.
You Come Before You (Atlantic). Review by Daniel Mitchell.
Truthless Heroes (Atlantic). Review by Daniel Mitchell.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.
