Broken Records
Let Me Come Home (4AD). Review by Jeff Schweers.
Let Me Come Home (4AD). Review by Jeff Schweers.
Lost footage of David Bowie highlights awkward interviews and a general astonishment by the press at his constantly changing persona. Heh heh.
Ink 19 is proud to host a roundtable discussion on the significance of Andrew W.K. Is he pop’s first “demi-ironist,” or does he just plain “suck”? Christopher R. Weingarten, M. David Hornbuckle, and Ned Davis explore the possibilities in a spirited debate.
It’s time to party, as Gail Worley gets Wet with Andrew W.K., America’s next big thing, and the man NME called “The Saviour of Music.”
Debra Byrd transforms from an abused ghetto girl to a powerful icon of feminism in her one-woman show, Becoming Othello: A Black Girl’s Journey. Look upon her, and tremble.
Five guys, all Moes, try to whip their philandering buddy into domestic shape.
Charles DJ Deppner takes a look at a new book of artwork by DEVO’s Mark Mothersbaugh, and discovers the book is actually looking back at him.
Kid Congo & The Pink Monkey Birds’ “Wicked World” video features Alice Bag, previews That Delicious Vice, out April 19 on In The Red Records.
Despite serving up ample slices of signature snark, FOX News golden boy Jesse Watters, for the most part, just listens — driving the narrative of his latest book, Get It Together, through the stories of others.