Begone, foul year
Let’s leave 2020 in our rearview, shall we?
Let’s leave 2020 in our rearview, shall we?
A few our editor saved from falling thru the cracks of 2017.
Strange Country (New West Records). Review by James Mann.
Primrose Green (Dead Oceans). Review by James Mann.
Gone Away Backward (Bloodshot Records). Review by James Mann.
Heartbreak (Omnivore Recordings). Review by James Mann.
It’s tough being Richard Thompson. Luckily he decides to disregard the past and stay firmly rooted in the now with a sparkling set of new songs.
Through the Devil Softly (Nettwerk). Review by Matthew Moyer.
A Tribute to John Fahey (Vanguard). Review by Sean Slone.
Further From Grace (Strange Attractors). Review by Aaron Shaul.
Today Is the Day EP (Matador). Review by Eric J. Iannelli.
Bavarian Fruit Bread (Rough Trade). Review by James Mann.
40 years on, Michael Gira and Swans continue to bring a ritualistic experience that needs to be heard in order to be believed. Featured photo by Reese Cann.
The biggest astronomical event of the decade coincides with a long overdue trip to Austin, Texas.
Sofia and Louise have just graduated nursing school. They have no idea what they’ve signed up for.
At the Showcase: Live in Chicago 1976/1977 (Jazz Detective). Review by Bob Pomeroy.
Atlantis Lullaby: The Concert in Avignon (Elemental Music). Review by Bob Pomeroy.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.