Human Impact
Human Impact (Ipecac Recordings). Review by Scott Adams.
Human Impact (Ipecac Recordings). Review by Scott Adams.
The Horror (Sacred Bones). Review by Matthew Moyer.
Rosenkopf (Wierd). Review by Matthew Moyer.
A mixture of interview audio and incidental footage, About A Son allows rockdom’s left handed martyr to tell his own story. Matthew Moyer appreciates the minimalism.
In the near future, there will be a documentary produced on every single punk scene or band from the late ’70s to mid ’80s. And that’s just fine.
No More Pain EP (Southern). Review by Matthew Moyer.
Scott Adams travelled all the way to Chicago to scope out the veteran indie label’s birthday. And with Big Black , Scratch Acid and the Didjits , amongst other label mainstays, reforming just for the event, there was no way he would leave disappointed.
DFI (Honeybear Records). Review by Daniel Mitchell.
Chicago noise veteran Todd Trainer has been pounding drums for the likes of Big Black, Riflesport and lately, Shellac. Daniel Mitchell discusses men’s hair products with the man.
Color Sympathy (Clearly). Review by Daniel Mitchell.
Christopher R. Weingarten gets a few words with the punk rocker most hated by his own community, the “Atom” half of Atom and His Package, Adam Goren. The Package, alas, remains unavailable for comment.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.