Pop. 1280
The Horror (Sacred Bones). Review by Matthew Moyer.
The Horror (Sacred Bones). Review by Matthew Moyer.
Dan Sartain doesn’t really care if you know his name, or any of the songs he plays. He just came to remind you that rock ‘n’ roll can still be unsettling… and Matthew Moyer LOVES it.
The Unkindness of Crows (Southern Lord). Review by Matthew Moyer.
Shut Up and Bleed (Atavistic Records). Review by Matthew Moyer.
Enemy Mine (Jagjaguwar). Review by Matthew Moyer.
Primary Colours (Beggars/XL Records). Review by Matthew Moyer.
The Hidden Hand (Gold Standard Labs). Review by Daniel Mitchell.
A dangerously high-quality DVD release of a Bad Seeds gig at Le Transbordeur, Lyon, France, 8th June 2001… Matthew Moyer is transported and somehow manages to get in a review from the other side.
Lydia Lunch madness continues with Shellton Hull’s interview, as featured in today’s Minority Report.
Daniel Mitchell fights the nervous jitters as he speaks to cultural icon Lydia Lunch…
The Garbageman and the Prostitute (GSL). Review by Daniel Mitchell.
The Garbageman and the Prostitute (GSL). Review by Daniel Mitchell.
Kill the Lights (What Else?). Review by Daniel Mitchell.
I Require Chocolate 7” (Gold Standard Laboratories). Review by Daniel Mitchell.
The Love From Above (Caulfield). Review by Daniel Mitchell.
Feel Good Now (Atavistic). Review by Matthew Moyer.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.