Blue Monday
Bob Ham takes a look at this furiously positive and lopsided look at the musical career of a living legend.
Bob Ham takes a look at this furiously positive and lopsided look at the musical career of a living legend.
Everybody Else (The Militia Group). Review by Jen Cray.
Yours To Keep (New Line). Review by Jen Cray.
The Greatest White Liar (New West). Review by Sean Slone.
FormFollowsFunction (Time Beach Records). Review by Jen Cray.
She Rocks and Rolls All Night & Day (One Horse). Review by Brian Kruger.
Listen to the Night (StarTime). Review by Anton Wagner.
Marshall Crenshaw has been making pop music for close to twenty years, but despite a huge critical following and the occasional hit, he still manages to fly just under most of the American public’s radar. Sean Slone catches up with the singer/songwriter on the occasion of a long overdue retrospective album, This Is Easy, and the reissue of his 1982 debut.
The Mighty Warriors: Live in Antwerp (Elemental Music). Review by Bob Pomeroy.
40 years on, Michael Gira and Swans continue to bring a ritualistic experience that needs to be heard in order to be believed. Featured photo by Reese Cann.
The biggest astronomical event of the decade coincides with a long overdue trip to Austin, Texas.
Sofia and Louise have just graduated nursing school. They have no idea what they’ve signed up for.
At the Showcase: Live in Chicago 1976/1977 (Jazz Detective). Review by Bob Pomeroy.
Atlantis Lullaby: The Concert in Avignon (Elemental Music). Review by Bob Pomeroy.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.