Greater California
Somber Wurlitzer (Earthling). Review by Aaron Shaul.
Somber Wurlitzer (Earthling). Review by Aaron Shaul.
From the Lion’s Mouth (Kill Rock Stars). Review by Aaron Shaul.
Homeland (Grimsey). Review by Aaron Shaul.
The Orchestra, Sadly, Has Refused (File 13 Records). Review by Matthew Moyer.
Collaboration,Pop,R&B,1960s songwriter,Isley Meets Bacharach,Here I Am,Dreamworks,Aaron Shaul
Here I Am (Dreamworks). Review by Aaron Shaul.
Amorino (Instinct). Review by Aaron Shaul.
Amorino (Instinct). Review by Aaron Shaul.
A thousand kisses deep (Columbia). Review by Ben Varkentine.
Something Deeper Than These Changes (Smile). Review by Sean Slone.
Beet Maize & Corn (Drag City). Review by Sean Slone.
Us (Beggars). Review by Aaron Shaul.
Lost Together (Atenzia). Review by Andrew Ellis.
Daniel Johnston–a man who the term “legendary” truly fits–speaks with Stein Haukland about his new album with Mark Linkous of Sparklehorse, art, and Sonic Youth.
UPA (Gravitation ). Review by James Mann.
Play Power (Jetset). Review by Marcel Feldmar.
DJ, radio personality, magazine editor, musician – Tomoyuki Tanaka’s resume is almost as diverse as his music. Jason Feifer offers a look into the mind and music of Fantastic Plastic Machine.
Column by David Lee Simmons
Charles DJ Deppner takes a look at a new book of artwork by DEVO’s Mark Mothersbaugh, and discovers the book is actually looking back at him.
Kid Congo & The Pink Monkey Birds’ “Wicked World” video features Alice Bag, previews That Delicious Vice, out April 19 on In The Red Records.
Despite serving up ample slices of signature snark, FOX News golden boy Jesse Watters, for the most part, just listens — driving the narrative of his latest book, Get It Together, through the stories of others.
Brooklyn rapper Max Gertler finds himself a bit ground up on “Put My Heart in a Jay,” his latest single.
The dissolution of a wealthy Russian family confuses everyone involved.