Cheater Slicks
Skidmarks (Crypt). Review by Charles D.J. Deppner
Skidmarks (Crypt). Review by Charles D.J. Deppner
BLUE (Capitol Records). Review by Charles D.J. Deppner
Alive at the F*cker (AmRep). Review by Charles D.J. Deppner
Print Review by Charles D.J. Deppner
Feature by Charles D.J. Deppner
Print Review by Charles D.J. Deppner
_The One-Eyed Woman_Review by Charles D.J. Deppner
Skidmarks (Crypt). Review by Charles D.J. Deppner
III (Nettwerk/Antilles). Review by Charles D.J. Deppner
Live: In the Red (In the Red). Review by Charles D.J. Deppner
Interview by Charles D.J. Deppner
You Should Be Sinnin’ (Crypt). Review by Charles D.J. Deppner
Share the Fantasy (Sub Pop). Review by Charles D.J. Deppner
Live In Exile (Au-go-go). Review by Charles D.J. Deppner
Interview by Charles D.J. Deppner
Let Them Eat Pussy (AmRep). Review by Charles D.J. Deppner
My Scientist Friends (AmRep). Review by Charles D.J. Deppner
Print Review by Charles D.J. Deppner
Now Wave Vol. 1-3 (Skin Graft). Review by Charles D.J. Deppner
The Music from The Man From Uncle (Original Soundtracks). Review by Charles D.J. Deppner
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.