Frank Turner
England Take My Bones (Epitaph). Review by Jen Cray.
England Take My Bones (Epitaph). Review by Jen Cray.
Few things are as Rock ‘n’ Roll as 30-year punk rock veterans Social Distortion, as Jen Cray and a sold-out crowd at Orlando’s House of Blues recently witnessed.
Poetry of the Dead (Epitaph). Review by Jen Cray.
An enthusiastic Hot Water Music set fails to revive a House of Blues audience left in the lurch by a no-show Naked Raygun.
Jen Cray hoofs it to Orlando’s HOB, where she gets an amped-up dose of Ted Leo and the Pharmacists and sticks around for a satisfying Against Me! set.
The two-night stint of Brand New and Thrice at Orlando’s House of Blues sold out days in advance. Jen Cray managed to get inside on the closing night.
A fast departure from Brand New’s show at the House of Blues brought me to the much more laid back vibe at The Social for the Chuck Ragan gig. The Hot Water Music frontman was not the only famous frontman who decided to leave his band at home and go it alone for an acoustic evening. Jen Cray was in for a quadruple bill of talent!
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.