M.A.K.U. Soundsystem
Mezcla (Glitterbeat ). Review by James Mann.
Mezcla (Glitterbeat ). Review by James Mann.
Static (Columbia). Review by Jen Cray.
M. Night Shyamalan pours a fresh vat of alien drool down a plot hole with Will Smith’s DNA at the bottom. You might think that’s a good thing.
Banga (Columbia). Review by Carl F Gauze.
Infinite Arms (Columbia). Review by Sean Slone.
Does You Inspire You (Columbia). Review by Matthew Moyer.
Ultra Payloaded (Columbia). Review by Jen Cray.
Modern Times (Columbia). Review by James Mann.
Polaroids: A Greatest Hits Collection (Columbia). Review by Andrew Ellis.
Live From New Jersey (Columbia). Review by Sean Slone.
Alive at Last (Columbia). Review by Tim Wardyn.
Raised On Whipped Cream (Columbia). Review by Jen Cray.
Give (Columbia). Review by Carl Glaser.
Alive & Amplified (Columbia). Review by Jen Cray.
Forget What You Know (Columbia). Review by Addam Donnelly.
De-Lovely: Music From The Motion Picture (Columbia). Review by Ben Varkentine.
Lost Prophets,Start Something,Columbia,Andrew Ellis
Beginnings (Columbia). Review by Nick Plante.
Start Something (Columbia). Review by Andrew Ellis.
Someone To Tell (Columbia). Review by Andrew Ellis.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.
Rad Brown and Buffalo Stille (Nappy Roots) premiere their second single from forthcoming LP Upper Crust Confections, “Only Love,” today at Ink 19.
Ben Folds adds new dates to his Paper Airplane Request Tour.
HEALTH continue their mission to make everyone love each other, bringing their RAT-BASED WARFARE TOUR to the Mile High City, where Steven Cruse gets to be a very lucky middle-aged industrial fanboy.