Delfeayo Marsalis
Uptown on Mardi Gras Day (Troubadour Jass Records). Review by Bob Pomeroy.
Uptown on Mardi Gras Day (Troubadour Jass Records). Review by Bob Pomeroy.
Rock Chalk Suite (Blue Engine ). Review by Bob Pomeroy.
The multi-instrumentalist opens up on influences that shaped his The Griot Swings the Classics.
Sunshine Blues (Lakehouse Records). Review by Michelle Wilson.
A four-disc set of every Edie Adams show from the early 1960s.
Three months before his death, Miles Davis revisited his earlier work with Gil Evans. Live at Montreux is an incredible glimpse of his genius.
The Best of the Improv Recordings (Concord). Review by Carl F Gauze.
Best of Vegas (Concord Records). Review by Al Pergande.
Genius + Soul = Jazz (Concord Records). Review by James Mann.
Hunton Downs gives readers new insight into the true events surrounding the death of one of America’s celebrity heroes in The Glenn Miller Conspiracy. This is no pulp fiction, folks.
Shelton Hull finds there is much to learn in this collection of conversations with the enigmatic and innovative trumpeter, not nearly as reticient with interviewers as legend has it.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.