Steve Taylor and the Perfect Foil
Goliath (Splint Entertainment). Review by Daniel Mitchell.
Goliath (Splint Entertainment). Review by Daniel Mitchell.
No coast (Top Shelf Records). Review by Daniel Mitchell.
Art of Aggression (New Aeon Media). Review by Daniel Mitchell.
The Coldest Day (Exile on Mainstream). Review by Daniel Mitchell.
A Celebration of an Ending (Equal Vision). Review by Daniel Mitchell.
Find the Sun (Sick Room). Review by Daniel Mitchell.
The Hidden Hand (Gold Standard Labs). Review by Daniel Mitchell.
Ohio’s Best (Diaphragm). Review by Daniel Mitchell.
Advance and Vanquish (Roadrunner Records). Review by Daniel Mitchell.
The Neon God: Pt. 2 - The Demise (Sanctuary Records). Review by Daniel Mitchell.
Henry (Doghouse). Review by Daniel Mitchell.
This is Not an Erect, All-Red Neon Body (No Idea). Review by Daniel Mitchell.
Truth is a Menace (No Idea). Review by Daniel Mitchell.
Ex Hex (Lookout! Records). Review by Daniel Mitchell.
The Caitiff Choir (Trustkill Records). Review by Daniel Mitchell.
Trampled Under Hoof (Southern Lord). Review by Daniel Mitchell.
The New What Next (Epitaph). Review by Daniel Mitchell.
Daniel Mitchell fights the nervous jitters as he speaks to cultural icon Lydia Lunch…
You Fail Me (Epitaph). Review by Daniel Mitchell.
Mander Salis (Equal Vision). Review by Daniel Mitchell.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.