Long Distance Calling
Satellite Bay (Viva Hate Records). Review by S D Green.
Satellite Bay (Viva Hate Records). Review by S D Green.
Weights & Measures (Matlock Records). Review by Carl F Gauze.
Cheval De Frise (Sickroom Records). Review by Daniel Mitchell.
Death Metal is For (Bifocal Media). Review by Daniel Mitchell.
Nine Hundred Miles of Fucking Hell (Morphius). Review by Kurt Channing.
Second Rekoning (Kill Rock Stars). Review by Nathan T. Birk.
Harvey liked working in the steel mills. At first, it had seemed like an unbe…
Don’t call them math-rock, and don’t compare them to Slint, because you won’t be doing justice to the lush and understated beauty of the Mercury Program. Nirav Soni chairs a roundtable discussion with all four members of the atmospheric and critically acclaimed Gainesville quartet.
Event Review by Frank Mullen
Singles Breaking Up (Vol. 1) (Touch & Go). Review by Andrew Chadwick
What Burns Never Returns (Touch and Go). Review by Kurt Channing
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.