Rancid
Tomorrow Never Comes (Epitaph). Review by Steven Cruse.
Tomorrow Never Comes (Epitaph). Review by Steven Cruse.
Rat Beat (Epitaph). Review by Scott Adams.
Growing Up (Epitaph). Review by Bob Pomeroy.
9th and Walnut (Epitaph). Review by Scott Adams.
Fake Names (Epitaph). Review by Scott Adams.
Damnesia (Epitaph). Review by Jen Cray.
England Take My Bones (Epitaph). Review by Jen Cray.
Rock & Roll EP (Epitaph). Review by Jen Cray.
Greg Graffin deposits a lot of three-dollar words into this mix of biography, punk history, and evolutionary biology.
True Love Cast Out All Evil (Epitaph). Review by Carl F Gauze.
Poetry of the Dead (Epitaph). Review by Jen Cray.
Dying is Your Latest Fashion (Epitaph). Review by Jen Cray.
New Maps of Hell (Epitaph). Review by Jen Cray.
Orchestra of Wolves (Epitaph). Review by Jen Cray.
They Think They Are The Robocop Kraus (Epitaph). Review by Aaron Shaul.
Unsound (Epitaph). Review by David Barker.
vol. 10 (Epitaph). Review by Jen Cray.
Split EP (Epitaph). Review by Addam Donnelly.
The New What Next (Epitaph). Review by Daniel Mitchell.
You Fail Me (Epitaph). Review by Daniel Mitchell.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.