Ben Watt
Hendra (Unmade Road). Review by Michelle Wilson.
Hendra (Unmade Road). Review by Michelle Wilson.
Tinsel and Lights (Merge Records). Review by Matthew Moyer.
The Five Ghosts (Vagrant). Review by Sean Slone.
Way To Blue (Island). Review by Ben Varkentine.
Guestroom (Minty Fresh). Review by Sean Slone.
Music For Elevators (Beautiful Is As Beautiful Does). Review by Julio Diaz.
Power Ballads (Marina). Review by Ben Varkentine.
Re-Release (Nite Grooves). Review by Vanessa Bormann.
Short-Staffed at the Gene Pool (Thirsty Ear). Review by Julio Diaz.
Tears All Over Town (Le Grand Magistery). Review by Marcel Feldmar.
The Impossible Thrill (Astralwerks). Review by Terry Eagan.
Finnish indie popsters Cessna explore their Loves, Longings, and Regrets on their newest album for Radio Khartoum, but it took Andrew Muzyk to discover why Kimmo and Sami don’t sing in Finnish and why they compare their music to a kaleidoscope.
Solace (V2). Review by Kiran Aditham.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.