Drunken Prayer
Cordelia Elsewhere (Deer Lodge Records). Review by James Mann.
Cordelia Elsewhere (Deer Lodge Records). Review by James Mann.
Scheherazade (Bloodshot Records). Review by James Mann.
This Is Lone Justice: The Vaught Tapes, 1983 (Omnivore Recordings). Review by James Mann.
Too Far to Care (Omnivore Recordings). Review by James Mann.
I Like to Keep Myself in Pain (Anti). Review by James Mann.
M. Ward’s recent Chicago gig saw the crowd becoming much more active participants in the performance. Chris Catania reports from the frontlines.
goth,gothic,country,alt. country,singer songwriter,Eszter Balint,Mud,Bar/None,Aaron Shaul
Mud (Bar/None). Review by Aaron Shaul.
The Promise (GarCorps ). Review by James Mann.
Pine Hill Haints at Van Gogh’s in Pensacola, FL on February 7, 2002. Concert review and photos by Phil Bailey.
You Must Be Present to Win (Let’s Roll). Review by Phil Bailey.
Twilight (Carrot Top). Review by Randall J. Stephens.
The Best of Flatt & Scruggs (Mercury). Review by Phil Bailey.
End Time (Thrill Jockey). Review by Phil Bailey
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.