Trevor Hall
The Rascals Have Returned (Geffen Records).
The Rascals Have Returned (Geffen Records).
Alone: The Home Recordings (Geffen). Review by Jen Cray.
Bulletproof (Geffen). Review by Chris Catania.
Calling the World (Geffen). Review by Sean Slone.
Dance Revolution (Geffen). Review by Aaron Shaul.
Driveblind (Geffen). Review by Andrew Ellis.
This Crazy Life (Geffen). Review by Aaron Shaul.
Educated Horses (Geffen). Review by Joe Frietze.
Deja Vu All Over Again (Geffen). Review by Sean Slone.
Siren Song of the Counter-Culture (Geffen). Review by Daniel Mitchell.
post-punk gothic ,The Cure,The Cure,Geffen,Daniel Mitchell
The Cure (Geffen). Review by Daniel Mitchell.
indie,experimental,no wave,punk,Sonic Youth,Sonic Nurse,Geffen,Daniel Mitchell
Sonic Nurse (Geffen). Review by Daniel Mitchell.
Blink 182,S/T,Geffen,Andrew Ellis
Blink 182 (Geffen). Review by Andrew Ellis.
Films About Ghosts…The Best Of (Geffen). Review by Andrew Ellis.
Life On Display (Geffen). Review by Andrew Ellis.
Life On Display (Geffen). Review by Andrew Ellis.
Films About Ghosts…The Best Of (Geffen). Review by Andrew Ellis.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.