Begone, foul year
Let’s leave 2020 in our rearview, shall we?
Let’s leave 2020 in our rearview, shall we?
Goddess (Modular Fields). Review by Carl F Gauze.
Compass (Nonplace). Review by Carl F Gauze.
It was a night of metal and moshing in the sold-out House of Blues, with Motörhead and Anthrax in town. Carl F Gauze elbowed his way through the madness.
Heaven’s End/ Fade Out/ The World In Your Eyes/ A Gilded Eternity (Reactor/Revolver). Review by Matthew Moyer.
Rosenkopf (Wierd). Review by Matthew Moyer.
Coconut (Domino). Review by Carl F Gauze.
Hawkwind Triad (Neurot). Review by Matthew Moyer.
Dead EP (Thrill Jockey Records). Review by Carl F Gauze.
Spirited Migration (At A Loss Recordings). Review by Matthew Moyer.
Plastic Crimewave Sound (Prophase Music). Review by Carl F Gauze.
Inferno (Sanctuary Records). Review by Matthew Moyer.
Tomorrow Waits (Cur on a Glider). Review by James Mann.
New Geocentric World (Squealer). Review by Matthew Moyer.
“I was fired from every band I was in before, so the only way I can think of to not get fired was form my own band.” So says Lemmy Kilmister of the legndary Motšrhead, as he talked 25 years of rock n’ roll with Matt Thompson.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.