Lana Del Rey
Born to Die (Interscope). Review by John Cogburn.
Born to Die (Interscope). Review by John Cogburn.
Make Sure They See My Face (Interscope). Review by Kiran Aditham.
The Flathead EP (Interscope). Review by Bob Ham.
Four Stops and Home (Interscope). Review by Andrew Ellis.
Undiscovered (Interscope). Review by Andrew Ellis.
Feedback (Interscope). Review by Chris Catania.
Live at the Fillmore (Interscope). Review by Addam Donnelly.
Waterloo To Anywhere (Interscope). Review by Andrew Ellis.
Decemberunderground (Interscope). Review by Jen Cray.
Futures (Interscope). Review by Andrew Ellis.
Guerolito (Interscope). Review by Ian Koss.
Getting Away With Murder (Interscope). Review by Andrew Ellis.
The Rasmus,Dead Letters,Interscope,Andrew Ellis
Dead Letters (Interscope). Review by Andrew Ellis.
modern rock radio,alternative,grunge,electronic,Carina Round,The Disconnection,Interscope,Aaron Shaul
The Disconnection (Interscope). Review by Aaron Shaul.
3 (Interscope). Review by Aaron Shaul.
girl pop,teen pop,Britain girl power,Sugababes,3,Interscope,Aaron Shaul
Fever to Tell (Interscope). Review by Stein Haukland.
Fever to Tell (Interscope). Review by Stein Haukland.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.