The Lickerish Quartet
Threesome Vol. 2 (Lojinx). Review by Carl F. Gauze.
Threesome Vol. 2 (Lojinx). Review by Carl F. Gauze.
Play This Intimately (As If Among Friends) (Omnivore Recordings). Review by James Mann.
Delivering plenty of bang for the buck, the eclectic triple-bill alterno-rock package that found Nico Vega headlining was a summer highlight for Chris Long.
Four (The Major Label). Review by Sean Slone.
Is and Always Was (High Wire Music). Review by James Mann.
Calling the World (Geffen). Review by Sean Slone.
All Your Little Pieces (Rotomac Records). Review by Andrew Ellis.
The Odds of Winning (Near Records/Redeye). Review by Andrew Ellis.
Director Kiyoshi Kurosawa new film about working class alienation and jellyfish mutation in Tokyo is called Bright Future. Aaron Shaul readily acknowledges it as a winning combination.
One Mississippi [Reissue] (StarTime International). Review by Eric J. Iannelli.
Mind if We Make Love to You (Smile). Review by Sean Slone.
Lapalco (Star Time). Review by Bryan Tilford.
Give It To Her (Rainbow Quartz). Review by Kurt Channing.
Bash Bish (Oomph!). Review by Anton Warner.
Necessity: The 4-Track Years (Spin Art). Review by Kurt Channing.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.