Peaches
Fatherfucker (Kitty-Yo). Review by Britta Barrett.
Fatherfucker (Kitty-Yo). Review by Britta Barrett.
Do you feel alienated from the buy-everything teen demographic of MTV? Guest writer Jane Cora returns with a solution we would have all laughed at 20 years ago.
Turn Me On (self-released). Review by Daniel Mitchell.
It’s been too long since the dazzling photography of Frank Mullen has graced our virtual pages. Here are 19 stunning examples of what kept him busy in 2002.
More Than Motion (Tooth & Nail). Review by Daniel Mitchell.
The Best of Britny Fox (Columbia/Portrait/Legacy). Review by David Lee Beowulf.
A Tribute to Twisted Sister (Koch). Review by David Lee Beowulf.
If a band is made up of nothing but girls, a lot of people’s first inclination is to believe that they’re all eye candy with no real musical talent. The last thing a lot of people would believe is that they can actually rock! The ladies of Girlush Figure are out to put the lie to those old stereotypes with their first album, Target You. Phil Bailey introduces you to Pigpen, Squeaky, and Donna.
40 years on, Michael Gira and Swans continue to bring a ritualistic experience that needs to be heard in order to be believed. Featured photo by Reese Cann.
The biggest astronomical event of the decade coincides with a long overdue trip to Austin, Texas.
Sofia and Louise have just graduated nursing school. They have no idea what they’ve signed up for.
At the Showcase: Live in Chicago 1976/1977 (Jazz Detective). Review by Bob Pomeroy.
Atlantis Lullaby: The Concert in Avignon (Elemental Music). Review by Bob Pomeroy.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.