Sidelong (Bloodshot Records). Review by James Mann.
Shelton Hull finds much to praise in Jodie Foster’s latest film. Consider it the anti-Hostel.
What’s scarier: Jodie Foster as a nun or the fevered imaginations of a teenage altar boy as animated by Todd McFarlane? Carl F. Gauze reveals the truth in his review of Peter Care’s The Dangerous Lives of Altar Boys.
“Sincerely, L. Cohen: A Live Celebration” (Potato Family Records). Review by Bob Pomeroy.
Signs (Concord Records). Review by Michelle Wilson.
Five Minutes to Live: A Tribute to Johnny Cash (Saustex Records). Review by James Mann.
Armageddon: End of The Beginning (Frog Juice Production). Review by Carl F Gauze.
Happy Talk (Omnivore Recordings). Review by Christopher Long.
Front Street Rebels (RAM). Review by Bob Pomeroy.
The Roots of Popular Music: The Ralph J. Peer Story (Sony Music). Review by James Mann.
Just Like Medicine ( Seedling Records). Review by Michelle Wilson.
Dawson, North West Territory, Canada had one of the biggest gold strikes ever. Silent movies entertained the miners between gambling and drinking, but the films were later dumped into the permafrost.
Flying Carpet (Justin Time). Review by Bob Pomeroy.