The glass bottom boat of the cultural press
This week, vinyl purist Christopher Long does the unthinkable: he reviews one of those shiny Walmart reissues. Relax, it was a gift — he got it for FREE. Plus, it’s Led Zeppelin III, so cut the poor guy some slack, why don’t ya!
Elianne Halbersberg has an insightful conversation with Taddy Porter’s quite punctual Kevin Jones.
Author Charles R. Cross delivers a unique and detailed account of Led Zeppelin’s recording history – one platinum-selling record at a time.
Original Soundtrack (Awake Productions). Review by Matthew Moyer.
James Mann has a few thoughts on the rumored Zep tour. Okay, one: stay home.
Even if only his status as one-quarter of Led Zepplin is taken into account, few could deny that John Paul Jones deserves to be revered. But more than 20 years after the end of Zep, Jones remains a vital and diverse artist. Gail Worley talks to a true musical legend.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.
