Ghost on the Canvas (Surfdog Records). Review by Sean Slone.

Andrew Shaylor immersed himself in the wild, raw rockabilly subculture until he emerged with this exhaustive photographic record.

Stan Kruslicky takes in The Airborne Toxic Event and Voxhaul Broadcast show at Orlando’s Beacham Theater.

Bruno MacDonald aims for a paper wiki of rock history, showing the connections that casual fans might miss, in this interesting take on the history of rock ‘n’ roll.

The Grand Theatre, Vol. 1 (New West). Review by Sean Slone.

Few things are as Rock ‘n’ Roll as 30-year punk rock veterans Social Distortion, as Jen Cray and a sold-out crowd at Orlando’s House of Blues recently witnessed.

Sweetheart Radio Revolution, Etc.. Review by Robert Sutton.

Tomorrow Is Alright (Fat Possum). Review by Jen Cray.

Two-Way Family Favourites (Southern Domestic Recordings). Review by Sean Slone.

Twistable, Turnable Man: A Musical Tribute to Shel Silverstein (Sugar Hill Records). Review by Tim Wardyn.

Logan (Cedar Fever Records). Review by Eric J. Iannelli.

I and Love and You (Columbia Records). Review by Tim Wardyn.

Jen Cray enjoys a time trip back to 1994 with everyone’s favorite college radio folk duo, Indigo Girls.

Against Me! test drives both a new drummer and a new set of songs on a mini-Florida tour that finds them squeezing into the packed confines of The Social in Orlando.

American VI: Ain’t No Grave (American Records). Review by Tim Wardyn.

Dolly (Sony Legacy). Review by Matthew Moyer.

Jake Brown takes advantage of the 25th anniversary of Def Jam Records to present music fans with his appreciation of its co-founder, Rick Rubin.

Chub EP (Cedar Fever Records). Review by Eric J. Iannelli.

Modern Sounds in Country and Western Music. (Concord Records). Review by Carl F Gauze.

Backwoods Barbie Collector’s Edition (Dolly). Review by Matthew Moyer.