The glass bottom boat of the cultural press
With her days in Sarge behind her, Elizabeth Elmore is dividing her time between law school and trying to make it as a solo artist. Phil Bailey caught her in a rare open moment to discuss going solo, vegetarianism, Matlock, and why she thinks the “women’s music” movement sucks.
Kathleen LaGue, with Invisible Cowboy at Earthsavers in Covington, Louisiana on October 21, 2000. Concert review and photos by Phil Bailey.
Self-proclaimed “solo artist” Kathleen LaGue isn’t what you’d expect from the typical singer/songwriter out of Nashville. Phil Bailey spoke to the fashion model turned rocker about her use of the Internet to market herself, the Roxygen on Oxygen competition, and the travails of doing it all yourself.
Even though I had seen Kathleen LaGue play a solo acoustic set, it hadn’t pre…
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.
Rad Brown and Buffalo Stille (Nappy Roots) premiere their second single from forthcoming LP Upper Crust Confections, “Only Love,” today at Ink 19.
Ben Folds adds new dates to his Paper Airplane Request Tour.
HEALTH continue their mission to make everyone love each other, bringing their RAT-BASED WARFARE TOUR to the Mile High City, where Steven Cruse gets to be a very lucky middle-aged industrial fanboy.