Mixtape 118 :: Look Alive
Following a proud tradition of weird Australian pop, The Stroppies give us the sort of incisive harmonic jangle the world needs right now.
Following a proud tradition of weird Australian pop, The Stroppies give us the sort of incisive harmonic jangle the world needs right now.
The second annual Harvest of Hope Festival raises money to help migrant farm workers by giving music fans three days of music, mud, and mayhem.
The return of anti-folk master Paleface piqued the interest of few in Orlando, but those who did turn out for his intimate, late-night performance on a frigid winter night were treated to a rare moment of musical beauty.
Kimya Dawson mothers the Chicago kids with her folkish punk rock lullabies. Chris Catania digs.
L’Autre Cap (K). Review by Aaron Shaul.
Remember That I Love You (K). Review by Matthew Moyer.
A former member of experimental/indie project The Moldy Peaches , the enigmatic Adam Green has been going solo for the past four years. Jen Cray had an early morning chat with the anti-folk artist with the deep baritone voice.
Not On Top (Track & Field). Review by Aaron Shaul.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.