Alan Sparhawk
Solo Guitar (Silber Media). Review by Aaron Shaul.
Solo Guitar (Silber Media). Review by Aaron Shaul.
Light From Sovereign States/Into the Night 7” (It’s a Trap!). Review by Aaron Shaul.
Feels Like Home (Kranky). Review by Aaron Shaul.
Lure the Fox (Afternoon). Review by Aaron Shaul.
The Absent and the Distant (Caldo Verde). Review by Aaron Shaul.
The Odd Church (Hybris). Review by Aaron Shaul.
“If you want to dance, go on and fucking dance!” How could Heather Lorusso resist such an entreaty from Warren Ellis and the Dirty Three?
The Shining Example is Lying on the Floor (Broken Sparrow). Review by Aaron Shaul.
The Lone Gunman (Idaho). Review by Aaron Shaul.
Cinder (Touch & Go). Review by Aaron Shaul.
Giving Up the Ghost (Secretly Canadian). Review by Aaron Shaul.
The North Sea (Sonic Unyon Records). Review by Matthew Moyer.
This Bar Has No One Left (Fractured Discs). Review by Aaron Shaul.
A Year to Demonstrate (Isidore). Review by Aaron Shaul.
Eau Claire (Clairecords). Review by Aaron Shaul.
Static Patterns and Souvenirs (Words On Music). Review by Aaron Shaul.
Get Down (FILM Guerrero). Review by Aaron Shaul.
Bones (Preservation). Review by Aaron Shaul.
The Great Destroyer (Sub Pop). Review by Aaron Shaul.
All Harm Ends Here (Secretly Canadian). Review by Aaron Shaul.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.
Rad Brown and Buffalo Stille (Nappy Roots) premiere their second single from forthcoming LP Upper Crust Confections, “Only Love,” today at Ink 19.