Bob Mould
Blue Hearts (Merge). Review by Scott Adams.
Blue Hearts (Merge). Review by Scott Adams.
MCIII (Merge Records). Review by Laura Pontillo.
Tinsel and Lights (Merge Records). Review by Matthew Moyer.
A Wasteland Companion (Merge Records). Review by Will Bernstein.
Feel the Sound (Merge). Review by Laura Pontillo.
Foolish (Merge Records). Review by Laura Pontillo.
Reissues! (Merge). Review by Scott Adams.
We Live in Rented Rooms (Merge Records). Review by James Mann.
Canadian electronica whiz Daniel Snaith (Caribou) brings down the spirit of Brian Eno at a very crowded, smoky Backbooth in Orlando. Jeff Schweers wallowed in the trance-heavy psychedelia.
My Neighbor/My Creator (Merge Records). Review by Jeff Schweers.
City of Daughters, Thief, Streethawk: A Seduction (Merge Records). Review by Tim Wardyn.
Scott Adams finds this compelling history of Merge Records, the underdog label that beat the odds and succeeded, to be insanely readable.
The Bright Orange Years (Merge Records). Review by Scott Adams.
Meadow (Merge). Review by Tim Wardyn.
Amigo Row (Merge). Review by Sean Slone.
Dark Island (Merge Records). Review by Dylan Garret.
Kill The Moonlight (Merge). Review by Kiran Aditham.
And the Surrounding Mountains (Merge). Review by Daniel Mitchell.
Is A Woman (Merge). Review by James Mann.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.
Rad Brown and Buffalo Stille (Nappy Roots) premiere their second single from forthcoming LP Upper Crust Confections, “Only Love,” today at Ink 19.