• Holy Rolemodel

    Holy Rolemodel

    The Sum of Our Parts (self released). Review by Jen Cray.

  • Modest Mouse

    Modest Mouse

    After fifteen years, Modest Mouse is at the top of the game. Jen Cray was one of many who felt their majesty at a recent Orlando concert.

  • R.E.M.

    R.E.M.

    For his first live review, Tim Wardyn brought his wife along to one of the biggest concerts of the year in one of the best venues in the nation. Once the smoke cleared (literally), one band played like it was 1985 and another acquired a new fan.

  • Silent Pictures

    Silent Pictures

    Pat Graham brings the DC-centric goods in this new collection of over a decade’s worth of his music photos. Matthew Moyer feels like he has an all-access pass.

  • Moros Eros

    Moros Eros

    Jealous Me Was Killed By Curiosity (Victory). Review by Jen Cray.

  • The Decemberists

    The Decemberists

    When epic indie rock that’s heavy with literary allusions, like what The Decemberists create, can sell out a large venue like the Hard Rock Live it gives Jen Cray hope for the state of music.

  • The Exeter Popes

    The Exeter Popes

    Snow, Mountain, Geisha (White Shoe). Review by Aaron Shaul.

  • Moros Eros

    Moros Eros

    Victory Records has taken a chance on an experimental indie rock band that put out one of 2006’s most exciting debuts. Moros Eros are going to blow up in 2007. Jen Cray spoke with lead singer/guitarist/lyricist, Zach Tipton, while he enjoyed what could very well be his last couple weeks of anonymity at home in Georgia.

  • Wolf Parade

    Wolf Parade

    Wolf Parade (Sub Pop). Review by Aaron Shaul.

  • Troubled Hubble

    Troubled Hubble

    Making Beds in a Burning House (Lookout Records). Review by Sean Slone.

  • Robert Skoro

    Robert Skoro

    That These Things Could Be Ours (Yep Roc). Review by Sean Slone.

  • Okkervil River

    Okkervil River

    Black Sheep Boy Appendix (Jagjaguwar). Review by Aaron Shaul.

  • Aloha

    Aloha

    Here Comes Everyone (Polyvinyl). Review by Aaron Shaul.

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