They Might Be Giants
Nanobots (Idlewild). Review by Eric J. Iannelli.
Nanobots (Idlewild). Review by Eric J. Iannelli.
The Spine (Idlewild/Rounder/Universal). Review by Eric J. Iannelli.
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It may have been five years between studio albums for They Might Be Giants, but the band’s hardly spent the last half-decade slacking. Julio Diaz catches up with the ever-busy John Flansburgh.
Holidayland (Restless). Review by Julio Diaz.
Mink Car (Restless). Review by Julio Diaz.
You can’t accuse They Might Be Giants of being slackers. After more than 15 years together, the already-prolific band is releasing a boatload of music, including work on Malcolm in the Middle and their first children’s album. Julio Diaz cornered John Flansburgh during a rare moment off, and got the latest on this extremely talented – and busy! – band.
It’s Fun to Steal (Bar/None Records). Review by Julio Diaz
The Mighty Warriors: Live in Antwerp (Elemental Music). Review by Bob Pomeroy.
40 years on, Michael Gira and Swans continue to bring a ritualistic experience that needs to be heard in order to be believed. Featured photo by Reese Cann.
The biggest astronomical event of the decade coincides with a long overdue trip to Austin, Texas.
Sofia and Louise have just graduated nursing school. They have no idea what they’ve signed up for.
At the Showcase: Live in Chicago 1976/1977 (Jazz Detective). Review by Bob Pomeroy.
Atlantis Lullaby: The Concert in Avignon (Elemental Music). Review by Bob Pomeroy.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.