The Thing that Ate Floyd
(Lavasocks Records). Review by Scott Adams.
(Lavasocks Records). Review by Scott Adams.
Hawkwind Triad (Neurot). Review by Matthew Moyer.
In a Dark Tongue (Neurot Recordings). Review by Matthew Moyer.
Shrinebuilder (Neurot Recordings). Review by Matthew Moyer.
Viscera (Translation Loss). Review by Matthew Moyer.
How The World Came To An End (Candlelight). Review by Bob Ham.
Somnambulists (Iodine). Review by Addam Donnelly.
Daniel Mitchell discusses fashion tips, including corpse paint and viking helmets, with Brad Wharton from metalcore stalwarts Premonitions of War.
The Work Which Transforms God (Candlelight Records). Review by Terry Eagan.
Dulling Occams Razor (Blackmarket Activities). Review by Marty Pursley.
Unlistenable (Zero To One). Review by Rob Walsh.
A Parade of Chaos (Solid State). Review by Stein Haukland.
Individual Rites (Prosthetic/Metal Blade). Review by Nathan T. Birk.
A Sun That Never Sets (Relapse). Review by Nathan T. Birk.
Spirit Bound Flesh (Neurot). Review by Nathan T. Birk.
Seminar II: The Holy Rites of Primitivism Regressionism and Seminar III: Zozobra (Tortuga). Review by Nathan T. Birk.
Time is the Distance (Epitaph). Review by Brian Kruger.
Throwing Myself (SolidState). Review by Nathan T. Birk.
What is “sound art” and how does it relate to the heavy rock of Neurosis? Nirav Soni asks Steve Von Till, guitarist for both Neurosis and their side project, Tribes Of Neurot.
Times Of Grace (Relapse). Review by Keith Mercer
Today’s Smmoth Jazz Roundup is a collection of short reviews of easy-to-listen-to jazz.
In Perfect Harmony: The Lost Album (Jazz Detective). Review by Bob Pomeroy.
The Mighty Warriors: Live in Antwerp (Elemental Music). Review by Bob Pomeroy.
40 years on, Michael Gira and Swans continue to bring a ritualistic experience that needs to be heard in order to be believed. Featured photo by Reese Cann.
The biggest astronomical event of the decade coincides with a long overdue trip to Austin, Texas.
Sofia and Louise have just graduated nursing school. They have no idea what they’ve signed up for.
At the Showcase: Live in Chicago 1976/1977 (Jazz Detective). Review by Bob Pomeroy.
Atlantis Lullaby: The Concert in Avignon (Elemental Music). Review by Bob Pomeroy.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.