Mishima USA
Hold My Breath (Catapult). Review by Terry Eagan.
Hold My Breath (Catapult). Review by Terry Eagan.
After five years missing in action, wudda y’know, original vocalist Brett Hoffman returns…
Since its inception in the mid- to late-‘80s, what the genre of grindcore has…
To merely label Deep’s Pieces of Nothing “death-thrash” would severely…
A project featuring Entombed bassist Jorgen Sandstrom on vocals, the Project …
I’m going to propose an alternate theory to the origin of Transport League an…
Fast Forward (Pavement). Review by Nathan T. Birk
Code Red (Pavement). Review by Nathan T. Birk
Endorama (Pavement). Review by Nathan T. Birk
Driven To Conquer (Pavement). Review by Matthew Moyer
beauty, tears and the setting sun (Pavement). Review by Nathan T. Birk
Circus of Death (Pavement). Review by Nathan T. Birk
Gottverlassen (Pavement). Review by Nathan T. Birk
Live In Japan (Pavement). Review by David Lee Beowülf
Terror Twilight (Matador). Review by Tom Minarchick
Aggressor (Pavement). Review by David Lee Beowülf
Of Battle and Ancient Warcraft (Pavement). Review by David Lee Beowülf
Black to the Blind (Pavement). Review by Jeremy Wernow
Colour Your Life (Pavement). Review by Tony Coulson
Black to the Blind (Pavement). Review by David Lee Beowülf
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.