Cabaret Showtime ( Bloodshot Records). Review by James Mann.

Marriage (Deer Bear Wolf). Review by James Mann.

Fragile (Hypertension Music). Review by Michelle Wilson.

Through the Turbulence (Melodic Revolution Records). Review by Michelle Wilson.

Turn Out the Light, Turn on the Stereo. Review by Michelle Wilson.

Hendra (Unmade Road). Review by Michelle Wilson.

Going Underground: Paul McCartney, The Beatles and The UK Counter-Culture charts the beginning of the underground in London that gave rise to Pink Floyd, The Soft Machine, and Revolver.James Mann “turns on, tunes in, and drops out,” and says “it’s all groovy!”

A modern-day prog metal onslaught by top-billed Between the Buried and Me delights throngs of Orlando diehards and entertains Christopher Long.

Eight (Merge). Review by Eric J. Iannelli.

The full account of what could be the greatest performance of all time, according to Jared Campbell: Roger Waters performing The Wall.

Sage (Neurot Recordings). Review by May Terry.

Wonky Beats (Lucky Number). Review by Carl F Gauze.

Carl F Gauze is overwhelmed by Rob Roth’s glossy, artsy rock and roll promotion obscurities.

Danger Days: The True Lives of the Fabulous Killjoys (Reprise Records). Review by Jen Cray.

Seconds Late for the Brighton Line (ROIR). Review by Robert Sutton.

Into Nostalgia EP (Breakfast Mascot). Review by Eric J. Iannelli.

Alpha (Authentik Artists). Review by Sean Slone.

Infinite Arms (Columbia). Review by Sean Slone.

Glenn Povey brings more facts about Pink Floyd than Carl F Gauze thinks you can shake a brick at.

11:11 (Rubyworks Records/ ATO Records). Review by Tim Wardyn.