Chris Lake
Crazy (Nervous Records). Review by Carl F Gauze.
Crazy (Nervous Records). Review by Carl F Gauze.
Spoils (Drag City). Review by Aaron Shaul.
All The Colors (Subtitled Audio). Review by Carl F Gauze.
The Guilty Office (Hidden Agenda). Review by Aaron Shaul.
Drunken Barn Dance (Pedal Bark/Quite Scientific). Review by Aaron Shaul.
The Hazards of Love (Capitol). Review by Matt Parish.
Speak Up (Matinee). Review by Aaron Shaul.
Doubleplusgood (Matinee). Review by Aaron Shaul.
Now or Heaven (Merge). Review by Andrew Coulon.
Loneliness In America (Self Released). Review by Carl F Gauze.
Fiction Family (ATO). Review by Andrew Ellis.
Hymns I Remember (Sleepy). Review by Aaron Shaul.
Yosuga (Jagjaguwar). Review by Aaron Shaul.
You Brought a Knife to a Gunfight (Tom Perkins Entertainment). Review by Aaron Shaul.
Home Alive (Self-Released). Review by Carl F Gauze.
Susan’s in the Sky EP (Matinee). Review by Aaron Shaul.
Take Me to the Sea (Matador). Review by Addam Donnelly.
Receivers (Jagjaguwar). Review by Aaron Shaul.
The Archery (Quite Scientific). Review by Aaron Shaul.
Batten the Hatches (Nettwerk). Review by Aaron Shaul.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.