Sleepyard
Easy Tensions (Orange). Review by Aaron Shaul.
Easy Tensions (Orange). Review by Aaron Shaul.
You, You’re History in Rust (Constellation). Review by Aaron Shaul.
Bitter Hands Resign (Sonic Unyon). Review by Aaron Shaul.
Light (Firefly Sessions). Review by Aaron Shaul.
City Vs Country (Ghostly International). Review by Aaron Shaul.
Absolute Noon (Hometapes). Review by Aaron Shaul.
Offshore (Secretly Canadian). Review by Aaron Shaul.
Speckly (Aum Fidelity). Review by Bob Pomeroy.
Vessel States (Jagjaguwar). Review by Aaron Shaul.
Remmings (Important). Review by Aaron Shaul.
Arc and Sender (High Two). Review by Aaron Shaul.
Glissandro 70 (Constellation). Review by Aaron Shaul.
Cinder (Touch & Go). Review by Aaron Shaul.
Government Commissions: BBC Sessions 1996-2003 (Matador). Review by Aaron Shaul.
Everything’s a Love Letter (Preservation). Review by Aaron Shaul.
What We Must (Ninja Tune). Review by Aaron Shaul.
Why Do You Do? (Gringo). Review by Aaron Shaul.
Here Comes Everyone (Polyvinyl). Review by Aaron Shaul.
Kuutarha (Locust). Review by Aaron Shaul.
Bones (Preservation). Review by Aaron Shaul.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.