Mixtape 130 :: Cowboy
Bill Callahan has been wandering the halls of music for quite some time now, his deep voice and aimless arrangements a constant hypnotic presence.
Bill Callahan has been wandering the halls of music for quite some time now, his deep voice and aimless arrangements a constant hypnotic presence.
Jazz Fest: The New Orleans Jazz & Heritage Festival (Smithsonian/Folkways Records). Review by Bob Pomeroy.
A Tip of the Hat to Fats: Live From the New Orleans Jazz & Heritage Festival 2018 (Blind Pig Records / the Orchard). Review by Bob Pomeroy.
No Revenge Necessary ( The Royal Potato Family). Review by James Mann.
Act Like You Know (Special Man Industries). Review by James Mann.
Live at Chickie Wah Wah (FHQ Records). Review by Bob Pomeroy.
So It Is (Legacy). Review by Bob Pomeroy.
Parking Lot Symphony (Blue Note). Review by Bob Pomeroy.
River’s On Fire. Review by James Mann.
Live In Chicago (Orleans Records). Review by James Mann.
#imsoneworleans (Basin Street Records). Review by James Mann.
The Atco/Atlantic Singles 1968-1974 (Omnivore Recordings). Review by James Mann.
Everlasting Arms (Bloodshot Records). Review by James Mann.
Classified: Remixed and Expanded (Rounder Records). Review by James Mann.
Meet Me at Mardi Gras (Rounder Records). Review by James Mann.
Sister Vagabond (Delta Groove). Review by Matthew Moyer.
Pam & Dodi (MCA). Review by Vanessa Bormann.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.