Rancid
Tomorrow Never Comes (Epitaph). Review by Steven Cruse.
Tomorrow Never Comes (Epitaph). Review by Steven Cruse.
Fake Names (Epitaph). Review by Scott Adams.
Armed Love (American/Epitaph). Review by Jen Cray.
Western Soul (Ace Fu). Review by Aaron Shaul.
The Lost Patrol Band (Burning Heart/Epitaph). Review by Aaron Shaul.
A Love Hate Relationship (Revelation). Review by Addam Donnelly.
Volume 8 (Epitaph). Review by Troy Jewell.
punk,hardcore,emo,hip hop,Various,Punk-O-Rama 8,Epitaph Records,Troy Jewell
Bright Flashes (Victory). Review by Daniel Mitchell.
Bright Flashes (Victory). Review by Daniel Mitchell.
Pass The Flask (Fiddler). Review by Nick Plante.
You Come Before You (Atlantic). Review by Daniel Mitchell.
Halldor Laxness (Victory). Review by Daniel Mitchell.
Structure and Fear (Southern). Review by Aaron Shaul.
Kaospilot (Level Plane). Review by Stein Haukland.
Ride Paranoia (Gold Standard). Review by Stein Haukland.
…Burn, Piano Island, Burn (ARTISTdirect). Review by Aaron Shaul.
Insense (This Dark Reign / Devil Doll). Review by Stein Haukland.
Lifesblood (Relapse). Review by Daniel L. Mitchell.
The seminal Victory Records label has been responsible for some of the most influential and important hardcore acts of the last decade. Nathan T. Birk looks back at hardcore history with their new DVD, Victory Video Collection.
Charles DJ Deppner takes a look at a new book of artwork by DEVO’s Mark Mothersbaugh, and discovers the book is actually looking back at him.
Kid Congo & The Pink Monkey Birds’ “Wicked World” video features Alice Bag, previews That Delicious Vice, out April 19 on In The Red Records.
Despite serving up ample slices of signature snark, FOX News golden boy Jesse Watters, for the most part, just listens — driving the narrative of his latest book, Get It Together, through the stories of others.
Brooklyn rapper Max Gertler finds himself a bit ground up on “Put My Heart in a Jay,” his latest single.
The dissolution of a wealthy Russian family confuses everyone involved.