The glass bottom boat of the cultural press
Rock and roll may never die, but it is old enough to collect social security and occasionally struggles with overdoses. Carl F. Gauze sets up at the quiet bar, where he can still hear his wife, for Rock of Ages at Garden Theatre, Orlando.
Rock publicist Howard Bloom dishes the dirt on the all the big names in entertainment with an insider’s eye for the absurd. Review by Carl F. Gauze.
Tampa was rockin’ with Chicago and REO Speedwagon, and Michelle Wilson was rockin’ right along with them.
The legendary REO Speedwagon joined forces with Cheap Trick’s Robin Zander to converge on Melbourne, FL’s King Center and deliver a true blue rock and roll spectacle of epic proportions.
Y Not (Hip-O/UMe Records). Review by Matt Parish.
From Hell To Texas (Steamhammer / SPV). Review by Carl F Gauze.
Man am I Brad (Arborvitae). Review by Matt Cibula.
The Looking Glass (Starlitt Music Group). Review by Kiran Aditham.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.
