Stimulators
Loud Fast Rules (ROIR). Review by Scott Adams.
Loud Fast Rules (ROIR). Review by Scott Adams.
Seconds Late for the Brighton Line (ROIR). Review by Robert Sutton.
Whispering Wall (ROIR). Review by Matthew Moyer.
All The King’s Men (ROIR). Review by Matthew Moyer.
Martin Rev (ROIR Records). Review by Matthew Moyer.
It’s Still Artastic (ROIR). Review by James Mann.
From her days as a drawing card in the Velvet Underground to her haunting sol…
Dub like you like it. Four tracks, three around twn minutes and a seventeen-m…
Another ROIR cassette-only released on CD for your listening pleasure, as wel…
It lives!
Glorious Idiotic (ROIR). Review by Ian Koss
Disassemble Dub (ROIR). Review by Ian Koss
Still Got Live, Even If You Don’t Mean It (ROIR). Review by David Lee Beowülf
The Blow Up (Roir). Review by James Mann
The Blow Up (ROIR). Review by Tom Minarchick
The New Too Much Junkie Business (ROIR). Review by Tom Minarchick
The New Too Much Monkey Business (ROIR). Review by David Lee Beowülf
Various Artists (ROIR). Review by David Lee Beowülf
Babes in Arms [Reissue] (ROIR). Review by Terry Eagan
Jerusalem Under Fire (ROIR). Review by Carl Glaser
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.